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Everybody wants to be a hero,
Everybody wants to be a hero,
It is easy to understand the expectation.
It is easy to understand the expectation.
Everybody wants it to be easy to be a hero
The expectation is easy to understand.

Why is it hard, though, to be one-  to live up to?
Why is it hard, though, to be one– to live up to?
We live borrowed, burned out, never try
We live borrowed, burnt out, never try.
Why is it, though we live, we never try to be one?
We live hard - burnt up, borrowed out.

But the want of a hero, is perhaps in the end
But the want of a hero, is perhaps in the end
why we which always want never try.
why we which always want never try.
perhaps why, in the end, we never try but
always want a hero which is a hero of a hero.

Everybody wants to be a hero
It’s easy to understand why - though
It’s hard to live up to the expectation
Of a burnt out, borrowed out nation.
Which is perhaps, in the end, is why
We always want a hero of a hero, but never try to be one.

Part of my Fifty Poetic Forms in Fifty Days Challenge. Today’s form is called the Paradelle. It’s a poetic form that Billy Collins originally introduced as “one of the more demanding French forms,” though eventually Collins fessed up that he created it as a joke.

Collins was not kidding about the demanding rules of the paradelle. Here they are:

  • The paradelle is a 4-stanza poem.
  • Each stanza consists of 6 lines.
  • For the first 3 stanzas, the 1st and 2nd lines should be the same; the 3rd and 4th lines should also be the same; and the 5th and 6th lines should be composed of all the words from the 1st and 3rd lines and only the words from the 1st and 3rd lines.
  • The final stanza should be composed of all the words in the 5th and 6th lines of the first three stanzas and only the words from the 5th and 6th lines of the first three stanzas.
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